Friday, July 23, 2010

Leap into the void




Yves Klein was a neo-Dadaist. Or a modernist. A judo master. Quite possibly a huckster. But I love this photo called "Leap into the Void." You don't have to know anything about it, though the backstory  is interesting. Klein said this was proof he could fly and used the photo to mock NASA's space exploration. Klein claimed he knew how to fall from years of judo. The consensus is that he doctored the whole thing with some pre-Photoshop manipulation. None of that matters. This is art. This is metaphor. Klein is completely vulnerable and completely ecstatic. A combination we should experience for a few fleeting moments over a life well lived. It reminds me of a Hunter S. Thompson quote (which I can't find at the moment) when a man climbs a maze of ladders and finds his own private white space, blowing fuse after fuse, and eating them like popcorn on the way up.

Friday, July 16, 2010

Chaos

The expressionist painter Chaim Soutine (1893-1943) was a Jewish painter from Belarus. While living in Paris, and inspired by classical European painting, he developed his own stylized vocabulary of shape and color.

Soutine's series of paintings of beef (Le Boeuf Ecorche)

http://www.litterales.com/peinture/1/280.jpg

may be an antecedent to the paintings of Francis Bacon.

http://www.fotos.org/galeria/data/630/Francis-Bacon-head-surrounded-by-sides-of-beef.jpg

But I digress. A Soutine painting (I don't know the name) caught my attention because it immediately reminded me of New Orleans after Hurricane Katrina. I was in the city then, working with an NGO helping to rescue pets -- dogs and cats -- left behind.

chaim_soutine_gallery_1.jpg

Each day we convoyed into New Orleans. The city was abandoned and utterly silent. A perfectly blue sky and blazing sun greeted us. That such violence was presented with so much tranquility engendered a profound reverence, like the feeling that seizes oneself upon entering a darkened European cathedral.




Everything were devastated. Ravished. The scale impossible to imagine. House after house. Block after block. Neighborhood after neighborhood.


 

Entering each house felt like a transgression. Again the silence. Again the heat. But also a stylized chaos. Individuated. The brushstrokes of a personality still visible after the water and the wind.

And it got me thinking about the chaos we all carry within our hearts. How impossible it is to know the ecology of one's own heart, let alone another. How this breeds a certain insistence on self-centeredness. And the courage it takes to face the chaos again and again, to sort it, to order it, to attempt to make it into something beautiful.